The IPKat
DECEMBER 13, 2023
After the first DSM Directive-related referral from Belgium on the provisions concerning contracts of authors and performers [IPKat here ] , it is now the turn of Article 15 (the related right for press publishers) as implemented into Italian law.
LexBlog IP
MAY 4, 2022
Since its establishment, GEA has claimed to be entitled to collect the above equitable remuneration not only for its members (ie, rights holders represented by it) but also on behalf of producers, performers, and musicians who are not represented by it on the basis of a contract or relevant mandate.
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The IPKat
FEBRUARY 3, 2023
It is thus clear that TDM does matter - but what should its relationship with copyright and related rights be? Recital 8 acknowledges, on the one hand, the value and potential of TDM but, on the other hand, notes the restrictions that copyright and related rights pose to the doing of TDM activities without a licence.
The IPKat
JULY 4, 2022
In 2019, the EU legislature introduced an EU-wide related right (Article 15 of the DSM Directive , on which see Katposts here ) for EU-based press publishers in relation to online uses of their press publications by information society service providers, including news aggregation services, social media, and search engines.
Biswajit Sarkar Copyright Blog
NOVEMBER 20, 2023
Since 2014, the Eurasian Economic Commission has held permanent observer status at WIPO. An application for a Eurasian patent covers all Contracting States of the Eurasian Patent Convention, and a Eurasian patent is granted for all these Contracting States together.
Kluwer Copyright Blog
NOVEMBER 24, 2021
Copyright contract law (Sections 31 et seqq. Right of remuneration (Sections 32 et seqq. In this context, the BGH issued a decision in 2014 in relation to the games console, Nintendo DS. The BGH assumed that an infringement of the related right of the film producer had occurred.
LexBlog IP
JANUARY 12, 2022
In order to carry out this activity, company A signed contracts with certain suppliers from which it acquired all of the copyrights and related rights regarding the specific musical repertoire. It may therefore be concluded that such right is not assigned to a CMO.
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