Velocity of Content

DECEMBER 5, 2023

He is a Chef in the Scholarly Kitchen and has written and lectured extensively on the subjects of copyright, licensing, open access, artificial intelligence, metadata, text/data mining, new media, artists’ rights, and art law.

Copyright 98

Copyright Art Art Law Licensing 98

The Art Law Blog

MARCH 27, 2021

With unique art works, the public interest is more likely to outweigh any commercial aspect and there is unlikely to be market substitution. UPDATE 3: Brian Frye : "I hear Steiner's argument, but disagree that the decision is correct. In my opinion all that should matter is that the photo and the paintings aren't substitutes."

Fair Use 40

Fair Use Art Marketing Marketing 40

LexBlog IP

FEBRUARY 28, 2022

A few years later, in 1984, Goldsmith’s agency, which had retained the rights to those images, licensed one of them to Vanity Fair for use in an article called “Purple Fame.” In 1981, Goldsmith, who was then a portrait photographer for Newsweek , took a series of photographs of the then-up-and-coming musician Prince. He did just that.

Fair Use 97

Fair Use Derivative Work Art Licensing 97

Art Law Journal

APRIL 13, 2022

From license plates to subway maps, from book covers to printed duvet covers, from bottles of lotion to wine. We cover topics including career paths, preparing for interviews, using social media to grow your footprint, networking, and much more. Both Creative Circle and Artrepreneur are committed to being here for you throughout your career.

Graphic Design 52

Graphic Design Designs Design Art 52

Art Law Journal

AUGUST 18, 2022

For example, a candid photo taken by a street photographer for a personal portfolio would not need a model release, but if that same work were later used in a magazine ad, the photographer would need permission from the model to use the photo for a commercial purpose. . ENTIRE AGREEMENT.

Publishing 85

Publishing Art Contracts Artwork 85

LexBlog IP

JUNE 27, 2023

Her 1981 black-and-white photo of Prince was used as the source for colored prints by Warhol, who in turn was commissioned to create a single work for a 1984 article about the musician in Vanity Fair magazine. [3] 3] Goldsmith received a small licensing fee for this use and was co-credited with Warhol in the magazine.

Litigation 52

Litigation Intellectual Property Art Fair Use 52