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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

It focuses on authorship of the copyright in stage plays as dramatic works, texts that can be performed from a script (rather than musical theatre, dance, or performers rights). The book addresses questions of whom is the author and first owner of a dramatic work? Who receives the credit and the licensing rights?

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Book review: Performers' Rights

The IPKat

This is a review of Performer's Rights by the Rt Hon Sir Richard Arnold, Judge of the Court of Appeal of England and Wales. The book covers the rights of performers, particularly the rights conferred under Part II of the Copyright, Designs and Patents Act 1988 (as amended). The book is presented in 11 chapters.

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The Modern Copyright Dilemma: Digital Content Ownership and Access

IP and Legal Filings

The first codified statute dealing with copyright protection of printed books dates back to 1710, known as British Statute of Anne. As the world’s first copyright statute, it offered 14 years of legal protection for works published and 21 years of protection for works already in print.

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Generative AI and Copyright

IP and Legal Filings

[Image Sources: Shutterstock] Basic understanding of Copyright Copyright is a legal theory that provides artists complete ownership over their creative works, preventing unauthorised use and copying. There will be serious consequences for assigning other than human ownership to AI-generated creations.

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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

I have often felt, however, that these issues were a bit of a misdirection, with at least part of the tech community treating the copyright community like dogs distracted by squirrels. One core concept in AI-relevant cases that both find for, and against, fair use ( Google Books and Fox v. is being used as code.