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Lights Camera Action : Role Of Intellectual Property In Indian Cinema

IIPRD

Copy right and Indian cinema. Merkin [10] It was decided that even while the director may have a significant say in how the movie should be filmed, the producer owns the copyright because they are more heavily involved in gathering the script, creating third parties or employment contracts with performers, etc. 3d 247 (2d Cir.

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Russia’s Forced Licensing Plan For ‘Enemy’ Content “Legalizes Piracy”

TorrentFreak

As a result, new US-owned movies dried up, leaving the entire Russian cinema industry in crisis. Some venues began screening pirated movies downloaded from torrent sites but the move was criticized by local cinema groups who were saddened by a return to the unlicensed entertainment “dark days” of 30 years ago.

Licensing 139
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Tarantino: Pulp Fiction NFT Sale Lawsuit is “Offensively Meritless”, Won’t Succeed

TorrentFreak

“In short, Defendants seek to capitalize, unilaterally, on Miramax’s rights to Pulp Fiction,” Miramax wrote , demanding damages for breach of contract, copyright infringement and trademark infringement. Taratino Fires Back. As expected, Tarantino isn’t backing down. Affirmative Defenses and Relief.

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Anti-Piracy Jobs From £10/hr to ‘Let’s Talk ££’, There’s No Shortage in the UK

TorrentFreak

To that end, filmmakers, record labels, TV companies, and cinema chains need to hire more and more people to make that happen. Disney doesn’t publicly commit to a salary for this 12-month fixed-term contract so if music is more your thing, Universal Music Group is also looking for a new recruit.

Cinema 122
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Role of Intellectual Property in Entertainment Industry

IIPRD

Introduction The media and entertainment industry is a broad and ever-evolving domain that includes several industries, including music, cinema, television, fashion, and more. Creators need to comprehend the fundamentals of copyright law to safeguard their creations and negotiate licensing and distribution contracts with skill.

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CDSM: French transposition Order annulled to the extent that it does not provide for ‘appropriate’ remuneration for authors

Kluwer Copyright Blog

Article 20 provides for a mechanism to adjust the financial situation if the exploitation of the work ultimately shows that the initial contract is not fair for the author. It is possible to assess the damage suffered by the author under the unfair contract by reference to the practices of the sector (Court of Appeal of Paris, 15 May 1987).

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CDSM: French transposition on the remuneration of performers

Kluwer Copyright Blog

In the music business, contracts between performers and producers, as well as the collective bargaining agreements, usually provide for a lump sum remuneration for secondary performers (for example accompanying musicians) and proportionate royalties for the main performers (for example the singer).