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Traditional Tattoos on the Red Carpet: Continuing the Conversation of Collective Ownership

IPilogue

These events point to two prevalent issues within the current legal framework: First, that current intellectual property laws do not properly acknowledge collective ownership over shared culture within Indigenous communities and second, whether tattoo designs have the potential to be protected through copyright laws.

Ownership 103
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“Happy Together” – The Ninth Circuit Plays the Golden Oldies of Copyright Law

The IP Law Blog

Calling it a “ball of confusion,” the Ninth Circuit recently considered a case involving the music of the Turtles, SiriusXM Satellite Radio, and whether royalties are owed under California copyright law for music dating prior to 1972. In doing so, the Ninth Circuit reviewed nearly 200 years of copyright law to reach its conclusion.

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyright law and historical and contemporary theatre.

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Remixing and Remastering Music in US Copyright Law: Some Reflections after Arty v Marshmello

Kluwer Copyright Blog

Gutierrez held that Arty had contractually given up ownership of the rights over remix composition, and therefore had no grounds to sue. The Remixer Declaration provides that Arty does not have any ownership or financial interest in the “underlying musical composition” embodied in the Remix Master. Background and decision.

Music 98
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Registration and Ownership of AI-Generated Works

JD Supra Law

copyright laws. Artificial intelligence (AI) has been a prominent topic recently, especially given the technological advances and commercial realization of generative AI systems. As AI-generated content continues to proliferate the Internet, concerns remain as to whether AI-generated works can be protected under U.S.

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Conundrum Involving The Ownership Of The Work Created By Ai

IP and Legal Filings

Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. See South Africa's Intellectual Property Laws Amendment Act.

Ownership 125