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Why Netflix’s “Bridgerton” Lawsuit is Good for Fan Fiction

Copyright Lately

And unlike the vast majority of songwriters and performing artists who have relinquished ownership rights to musical publishers and record labels, Barlow & Bear decided to release “The Unofficial Bridgerton Musical” themselves, which means keeping more of the earnings. 1962, 1976 (2014). Petrella v.

Music 104
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Nodal Officers: Unbalancing Expedience and Fairness

SpicyIP

Concerningly, there is no requirement within the rules to prove copyright ownership. On most occasions, a blocking order is not issued in public domain stating its reasons which violates principles of natural justice (see here for appeal mechanism). 243 of ‘ Create Copy or Disrupt ( here). 239 of this ).

Copying 52
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Creating a Safer Harbor Under the DMCA

JIPEL Copyright Blog

A German professor of music theory received Content ID Claims for recordings in the public domain uploaded by his YouTube channels. Trendacosta’s article is just one example of criticism against the Content ID system.