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[Guest Post] Long walk to copyright reform #9: The Copyright Amendment Bill ensures fair remuneration for South African creators and performers

The IPKat

The CAB contains stipulations that will ensure equitable remuneration and fair share in royalties for creators of literary, musical and artistic works as well as performers of audio-visual works (clauses 5, 7, 8 and 9 of the CAB). Indeed, the CAB lives up to its core objectives as set out in its long title.

Copyright 132
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Authorship of photographs and ownership of image rights in Nigeria: Banire v NTA-Star TV Network Ltd

The IPKat

Noting the Respondent/Defendant’s evidence that the photographs in question were supplied to it by Virtual Media Network Limited (VMNL) in pursuance of a Channel License Agreement, the Federal High court further held that the Appellant/Plaintiff should have joined VMNL as a party to the suit. VMNL) or both that person and their licensee (i.e.

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The Supreme Court Case of Andy Warhol Foundation v. Goldsmith: What, if Anything, Does it Mean to Artificial Intelligence?

Velocity of Content

To vastly summarize the facts, Andy Warhol licensed permission from photographer Lynn Goldsmith to allow him to adapt photographs she took of performance artist Prince and to allow Warhol to relicense those images in limited circumstances. In fact, Warhol himself paid to license photographs for some of his artistic renditions.

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Ownership of Copyrights Patents and Trademarks are Created by Employees and Independent Contractors

IP and Legal Filings

The concept is important that when any artistic work (like newspaper or magazine) is created and is done during the employment or under the obligation of the contract of apprenticeship, and is for the reason for publication, the proprietor of the publication will be the first owner of the work unless there is a former contract to sabotage this.

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Prince, Prince, Prints: Will the Supreme Court Revisit Fair Use?

LexBlog IP

A few years later, in 1984, Goldsmith’s agency, which had retained the rights to those images, licensed one of them to Vanity Fair for use in an article called “Purple Fame.” In 1981, Goldsmith, who was then a portrait photographer for Newsweek , took a series of photographs of the then-up-and-coming musician Prince. He did just that.

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Copyright and Transformative Fair Use

Patently-O

As part of that process, the magazine obtained a license from Goldsmith, but only for the limited use as an “artists reference” for an image to be published in Vanity Fair magazine. One reason why the magazine knew to reach-out to Goldsmith was that her photos had also previously been used as magazine cover-art.

Fair Use 134
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The clash of artistic rights: Warhol, Goldsmith, and the boundaries of copyright in Brazil and in the U.S.

Kluwer Copyright Blog

In 1984, Condé Nast, the publisher, obtained a license from Goldsmith to allow Andy Warhol to use her Prince portrait as the foundation for a single serigraphy to be featured in Vanity Fair magazine. In 2016, Condé Nast acquired a license from the Warhol Foundation to use the Prince Series as illustrations for a new magazine.