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Analyzing relationship between Contemporary art and Intellectual Property Rights

IIPRD

The number of artworks bought and sold throughout the world increased to almost 40 million in 2018 from around 39 million the year before, providing further evidence of this trend. in addition to protecting the rights of creators, such legislation may help ensure that artists are compensated fairly for their efforts.

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Bracing for Impact Keynote Address Tells a Copyright Story Never Told: Art and Copyright in Ghettos and Concentration Camps

IPilogue

Professor Lior Zemer, Dean at the Harry Radzyner Law School at Reichman University, began his presentation with Artwork of the Compiègne Concentration Camp by Abraham Joseph Berline created in 1941. Copyright laws should not stand between exposure to authenticity, but at the same time should not avoid dealing with illegal ownership claims.”.

Art 106
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Canadian Perspectives on Artist Resale Rights

IPilogue

The embedding of “smart contracts” in NFT sales allows for the automatic distribution of royalties – roughly 10% – anytime a change of ownership is requested on the blockchain. The study also found that the market continued to grow after the implementation of the resale right in 2006. Not all Canadian galleries oppose ARRs.

Art 105
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Honourable Justice Marshall Rothstein’s Keynote Commentary at Bracing for Impact Conference: “Why Has it Taken So Long?”

IPilogue

Justice Rothstein offered a Canadian perspective on how our moral rights framework would line up with Dean Zemer’s approach. Justice Rothstein explained that the concerns raised by Dean Zemer would fit neatly into the Canadian understanding of moral rights. However, it is a worthwhile goal.