Copyright Law Derivative Work Licensing Television 
Velocity of Content
JUNE 8, 2022
All copyrights, except one, expire.*. Preface: I wanted to learn more about the concept (and applications) of “derivative works” and adaptations under copyright law, and I was searching for a useful example that might also be interesting for readers of Velocity of Content to read about.
Copyright Lately
AUGUST 2, 2022
performances of “The Unofficial Bridgerton Musical”) or other derivative works that might compete with Netflix’s own planned live events,” including the multi-city “ Bridgerton Experience.” First, as far as copyright cases go, this one’s easy. Was it a license on the world’s greatest terms?
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JIPL Online
APRIL 9, 2021
Memes utilize pop culture content, such as movies, television shows, and other various forms of media, often in a parodic way. Such uses are often methods of social commentary regarding the user’s own life, or more broadly, current events; they also often utilize copyrightable material. [i] By: Taylor Bussey. INTRODUCTION.
Technology & Marketing Law Blog
AUGUST 1, 2023
It is certainly within the definition of chutzpah to publicly display your own work on the Internet, visible for anyone to see for free and without further conditions, and then to complain that others are helping people find your work by linking to it. Surely paid licensing should not have to work on an all-or-nothing basis.
Technology & Marketing Law Blog
JUNE 20, 2023
To fully understand these conflicting views of the majority opinion, it is necessary to understand both the specific facts of the case and the history of the Supreme Court’s case law concerning the fair-use doctrine. For obvious reasons, the copyright in a photograph does not include the right to publicly perform the copyrighted work.
Copyright Lately
MAY 6, 2022
Just don’t forget about real world copyright law. ? For that, you’d need an assignment or license from the owner of the underlying copyright. Want to Create New Derivative Works? You Should Probably Read The License. What you can’t do is make your own “Dune” movie.
Kluwer Copyright Blog
FEBRUARY 22, 2022
Barr makes explicit a factor we had long suspected with the skew of evidence on the Portal: the music industry is disproportionately overrepresented in empirical copyright literature. This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television).
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