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When is a derivative work original and thus protectable by copyright? Classicist’s critical edition makes its way to Luxembourg in fresh Romanian CJEU referral

The IPKat

Unlike the Swedish and German referrals, the Romanian one has not been made in the context of a dispute concerning works of applied art (which is refreshing), but rather in relation to the protectability of a critical edition of a work. Translated into copyright language: a critical edition is an example of derivative work.

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[Guest post] Navigating the high notes: Taylor Swift's copyright dispute

The IPKat

This article delves into the saga’s central copyright issues and the concept of moral rights, and compares the situation in the US to how it might have unfolded under EU law. Another significant divergence lies in the recognition of moral rights.

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First duel between NFTs and copyright before the Spanish courts: NFTs 1 – Authors 0

Kluwer Copyright Blog

Technically, from a copyright perspective, the NFTs were derivative works of the Paintings (underlying works), since the former included major copyrightable elements of the (previously created) latter. Therefore, the moral right of “disclosure” had already been exhausted. Place your bets!

Copyright 121
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Using that classic piece of art on a book cover: Grr…

The IPKat

Works of art, in the form of the reproduction of a painting, frequently adorns the cover of a reissued edition of a renowned novel. Consider the following book cover of the Penguin Classics edition of Jane Austen's novel, " Mansfield Pak ". You can't judge a book from its cover". "You You can't judge a book from its cover".

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A Work in Progress: CCC and Artificial Intelligence

Velocity of Content

We explored the webinar topics in more depth, and the following is our edited and abridged conversation. In the case of AI, I think both NC (non-commercial) and ND (non-derivative works) provisions may be involved. there are issues relating to moral rights and other considerations. Moreover, outside the U.S.,

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

For instance, moral rights may be at stake, as well as alternative forms of protection that may limit the availability of works, such as cultural heritage-related rules or contractual provisions. When copyright is involved, both economic and moral rights issues are at stake.

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