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Trademarking Numbers: Understanding The Numeral Trend

IP and Legal Filings

Introduction Brand owners and traders have long embraced numeral creativity to captivate consumers. Names like 7-eleven, 5 Star, 7Up, and 99acres resonate with consumers, widely reflecting the innovative use of number as brand identities.

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Logos Remain Relevant: Source Confusion and Design Patent Infringement

Patently-O

The Federal Circuit’s pair of decisions provide guidance on how logos factor into the design patent infringement inquiry, and begin to tease-out differences in policy concerns underlying design patent law versus trademark law. For trademark infringement under the Lanham Act, likelihood of consumer confusion is a key requirement.

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New Tools, Old Rules: Is The Music Industry Ready To Take On AI?

Copyright Lately

She would create a dataset of sound files consisting of Drake acapella vocals (stripped from the music tracks using a vocal separator) and run the data through software used to train the voice model. No wonder I’m getting flashbacks to 2003. Soundalikes: No Actual Sounds, No Actual Infringement?

Music 85
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If “Trespass to Chattels” Isn’t Limited to “Chattels,” Anarchy Ensues–Best Carpet Values v. Google

Technology & Marketing Law Blog

It’s not possible to “trespass” an intangible asset; any legal protection for the asset comes from contract law (but the plaintiffs gave a license) or IP law, such as copyright law, which the plaintiffs aren’t invoking. Citing a 2003 Ninth Circuit case, Kremen v. It didn’t. Implications.

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Full Of Sound And Query, Signifying Something: Recent Noise Over Acoustic Trademarks

LexBlog IP

In the US, other sound marks include Law & Order ’s ca-chung chung (as Reg. Joost Kist Memex (2003) , par. But, as Nick March has said , there is no turning back as “the power of sound to build emotional connections between consumers to brands has become evident. per year from 1996 to 2019).

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Section 1052(c) of the Lanham Act: A First Amendment-Free Zone?

Patently-O

Missouri’s predominant purpose test, which inquires into whether the predominant purpose of using the famous person’s name or identity is to exploit its commercial value; or whether “the predominant purpose of the product is to make an expressive comment on or about a celebrity.” [15] 2003) (quoting Mark S. 471, 500 (2003)). [16]