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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Artistic works?) See South Africa's Intellectual Property Laws Amendment Act. From an international perspective, he reflects on the problem of ensuring benefit for indigenous communities when from an IP perspective, the ancient Benin bronzes may not qualify for IP protection in the repatriating countries.

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The Future of Copyright. In memory of Luigi Carlo Ubertazzi (Report 1/2)

The IPKat

Ubertazzi was one of the leading intellectual property academics in Italy (as well as a great lawyer), founder and editor of the most important Italian copyright journal (AIDA) and editor and author of the most widely used Commentary on Italian intellectual property laws. Cr: Wellcome Collection).)

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The Modern Copyright Dilemma: Digital Content Ownership and Access

IP and Legal Filings

Introduction The Intellectual property laws are designed in such a way that not only reward the creator of his intellectual creation thereby incentivising other creators for further innovation, while balancing the rights of the creator with the right of the society to access information or knowledge. Atanasova, I.

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

David Vaver is the Acting Director of IP Osgoode and a Professor of Intellectual Property Law at Osgoode Hall Law School. The following is a preview of a paper to be published in the Intellectual Property Journal. . 2 of the Copyright Act RSC 1985, c. The relevant part of s. 5 reads: .