Remove Copyright Infringement Remove Fair Use Remove Journalism Remove Ownership
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What if? Discussing the Elsevier Ltd. And Ors v Alexandra Elbakyan and Ors in the Multiverse of Substantive Copyright Arguments

SpicyIP

SpicyIP intern Tanvi Agarwal brings us up to date on the last two orders (see here and here ) regarding amendments that the defendants wanted in the written statement, and the dismissal of the application to reject the plaint. Tanvi is a second-year student pursuing BA LLB at the National University of Juridical Sciences.

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AI Generated Art and its conflict with IPR

IIPRD

This article delves into the ongoing debate around the issue of right of ownership of copyright by AI generators for their novel artwork. This question even after a broad reading of the Indian Copyright law remains unanswered, demanding an amendment in the present law or more clarity on the same by the way of judicial decisions.

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The Modern Copyright Dilemma: Digital Content Ownership and Access

IP and Legal Filings

The crux of this debate is the argument that if the theft of restricted digital content is for the purpose of knowledge and research, it should be considered as an act done under ‘fair use’ and ‘fair dealing’ of the content. Digital Rights Management & Fair Use If everything is so well designed, then where is the issue?

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A&E's (c) and TM claims survive against former producer's new version of cop show

43(B)log

A&E owns a trademark (for entertainment services) and registered copyrights for Live PD, “which for four years featured live feeds of law enforcement activity across America, along with live narration and commentary from host Dan Abrams and others.” What about nominative fair use? Is that a good measure of confusion?

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New Tools, Old Rules: Is The Music Industry Ready To Take On AI?

Copyright Lately

She would create a dataset of sound files consisting of Drake acapella vocals (stripped from the music tracks using a vocal separator) and run the data through software used to train the voice model. That is, in fact, the very nature of sound recording copyright and ownership.” What’s Next?

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A Preliminary Analysis of Trump’s Copyright Lawsuit Over Interview Recordings (Trump v. Simon & Schuster) (Guest Blog Post)

Technology & Marketing Law Blog

Based solely on the complaint that was filed, there are six major issues raised by the case: First, were the recorded interviews a copyright-eligible “work of authorship”? Second, if so, who is the initial owner of the copyright(s)? Third, is Trump’s claim of ownership barred by 17 U.S.C. This strikes me as the wrong result.

Copyright 119