Remove Derivative Work Remove Intellectual Property Law Remove Presentation Remove Public Domain
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Clarifying Copyright Fair Use in Commercialized and Licensed Visual Arts: Insights from Warhol v. Goldsmith

LexBlog IP

Goldsmith SCOTUS Decision Welcome to the ever-evolving world of intellectual property law, where creativity intersects with legal rights, and the boundaries of art and originality are constantly being defined and redefined. This could potentially stifle creativity and limit the use of derivative works in commercial contexts.

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AI Music Outputs: Challenges to the Copyright Legal Framework – Part I

Kluwer Copyright Blog

Part II will present our conclusions regarding EU rules on related rights and outline policy recommendations for EU legislators in this field. Our analysis of the concept of work also investigated the legal status of secondary (derivative) works in relation to the (primary) works used in the input in the context of AI music outputs.

Music 66
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HULM Entertainment v.  Fantasy Sports: Reanalysing Originality, Idea-Expression Dichotomy and Copyrightability of GUIs

SpicyIP

student at Dr. Ram Manohar Lohiya National Law University, Lucknow. She is keenly interested in Intellectual Property Law, Technology Law, and Corporate Law ]. Image from here [ This post is co-authored with Tejaswini Kaushal with inputs from Swaraj and an anonymous reader. Tejaswini is a 3rd-year B.A.

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The Good Get: Interviews, The Predicates Of Copyright Ownership, & Divorcing Subjects From Owning Copyright Content

LexBlog IP

is] that works produced for the U.S. Government by its officers and employees should not be subject to copyright” and fall “in the public domain.” . “The basic premise of [S]ection 105.[is] ” H.R. 94-1476 at 58 (1976); see also Georgia v. Public.Resource.Org, 140 S. 1498, 1509-10 (2020).