IP Intelligence
APRIL 24, 2023
Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e., Copyright Office (the Office) when it comes to copyright ownership of artificial intelligence (AI) output. the “lion’s share” cases), and we see that the notion of what an “author” even is is highly nuanced.
Plagiarism Today
OCTOBER 27, 2021
How a Copyright Mistake Created the Modern Zombie : The second in the Creepy Copyright Mondays series was an explainer on how Night of the Living Dead , one of the most iconic zombie films, fell into the public domain. It’s an interesting look at how a public domain source and a modern interpretation can clash.
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LexBlog IP
APRIL 24, 2023
Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e., Copyright Office (the Office) when it comes to copyright ownership of artificial intelligence (AI) output. The Office has answered that question with a resounding “maybe.” Merkin , 791 F.3d
IP and Legal Filings
JANUARY 29, 2023
It is to be made sufficiently clear that the aforementioned creations ought to be original and independent, rather than a slightly altered version of the creation already in the public domain, to instill looking into the prospects of copyrightability. Re-Examining The Copyright Ownership Of Player Created Content, GNLU L.
CopyrightsWorld
APRIL 29, 2022
On November 3rd, 2018, Thaler filed a copyright application for A Recent Entrance to Paradise, designating himself as the claimant and the work’s author as “Creativity Machine,” saying that the copyright should be transferred from the AI to him due to his “ownership of the machine.”
CopyrightsWorld
APRIL 29, 2022
On November 3rd, 2018, Thaler filed a copyright application for A Recent Entrance to Paradise, designating himself as the claimant and the work’s author as “Creativity Machine,” saying that the copyright should be transferred from the AI to him due to his “ownership of the machine.”
43(B)log
OCTOBER 4, 2021
In 2013, things began to go bad as Restellini began attempting to purchase certain Modigliani material from WI, and in 2015, Restellini and WI discontinued their collaboration before the catalogue was completed. It will be enhanced by the drawings, which had been set aside with the Wildenstein Institute.
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