2019 Copyright Law Designs Public Domain 
Plagiarism Today
JANUARY 5, 2022
On January 1, 2022, works that were first published in the year 1926 lapsed into the public domain. Winnie-the-Pooh is likely the most culturally relevant character to enter the public domain since 2019, when works started entering the public domain again in the United States due to the Sonny Bono Copyright Term Extension Act.
Kluwer Copyright Blog
APRIL 5, 2023
Opposing the claimants’ arguments, Ravensburger challenged the cross-border application of Italian law, alleging that the claims conflict with article 14 of Copyright Directive in the Digital Single Market (CDSM) Directive since they attempt to unlawfully impose property assertions on public domain works. 633/1941, l.
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Kluwer Copyright Blog
JUNE 1, 2023
The members of the European Copyright Society (ECS ) have recently sent a letter to Mr. Thierry Breton ( Commissioner for Internal Market , European Commission ) outlining their view of what should be the priorities for a f uture agenda in the field of copyright law.
Plagiarism Today
JANUARY 3, 2022
3: Copyright and the Takings Clause. One of the more confusing areas of copyright law in the United States is how it impacts states. Under the current law, all copyright matters are federal. According to Unicolors, the retailers infringed on one of their designs and sold various goods with it.
The IPKat
JULY 22, 2021
Katfriend Dr Sabine Jacques , Associate Professor in IP, IT & Media law at the University of East Anglia and author of The Parody Exception in Copyright Law (OUP 2019), provides the follow review of The Copyright/Trademark Interface: How the Expansion of Trademark Protection is Stifling Cultural Creativity – by Martin Senftleben.
Plagiarism Today
SEPTEMBER 21, 2021
In July 2019, YouTuber James St. Graphic design is credited to award-winning graphic designer Jeremy Samples, so it's disappointing they would copy instead of producing original artwork. This has made Disney something of a copyright villain to many online and off. Onge identifies as an award-winning graphic designer.
Kluwer Copyright Blog
OCTOBER 17, 2023
Indeed, human creators seek compensation for the novel use of their intellectual efforts while AI firms aim to maximize the free harvesting of data (including copyright-protected materials) for training their algorithms. Lately, IP offices and the judiciary have started to decide on the copyrightability of AI-generated outputs.
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