Cinema Contracts Copying Copyright 
IIPRD
JANUARY 5, 2023
A growing number of daily releases makes India’s copyright laws particularly important in. The Copyright Act of 1957 enters the picture at this point, offering security against a number of dangers that the manufacturers would otherwise have to bear. Copy right and Indian cinema. Introduction. Who Owns What and Why.
Copyright Lately
OCTOBER 25, 2021
Here are some of the greatest copyright horror stories, featuring such classics as “Nightmare on Elm Street,” “Halloween,” “Dracula,” “Ghostbusters” and … a creepy McDonalds character? You can judge for yourself by downloading a copy of “Jap Herron” here.
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The IPKat
MAY 18, 2024
To celebrate the start of this event, this Kat has found a recent judgment issued by the Tribunal judiciaire (TJ) of Lyon [ the birthplace of cinema ] concerning a case of copyright infringement relating to the still of a short film. Every year in May, the Cannes Film Festival takes place. It also confirmed that Mr T was its author.
Copyright Lately
NOVEMBER 21, 2021
Breaking down Miramax’s copyright infringement lawsuit against Quentin Tarantino, a dispute about NFTs that isn’t really about NFTs. Tarantino is being billed as the first major legal dispute involving copyrights and NFTs, it really isn’t a dispute about NFTs. Frankly, it’s barely a dispute about copyrights.
Kluwer Copyright Blog
NOVEMBER 28, 2022
Article 20 provides for a mechanism to adjust the financial situation if the exploitation of the work ultimately shows that the initial contract is not fair for the author. Remuneration of authors under French copyright law before the 2021 Order. In a judgment of 16 May 1969, the High Court of First Instance of Paris ruled that 2.5%
IIPRD
FEBRUARY 6, 2024
Introduction The media and entertainment industry is a broad and ever-evolving domain that includes several industries, including music, cinema, television, fashion, and more. Copyright and trademark are the most important IP rights in this industry.
The IPKat
MARCH 3, 2022
The IPKat is very happy to host the following blog post by Despoina Dimitrakopoulou and Simon Fritsch, addressing this eternal copyright question from the perspective of a German art and legal story. Wanting to make a statement, he hired an advertising company which hand-painted advertisement tabloids for cinemas.
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