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Astro Malaysia Financial Analysis

LexBlog IP

The company is also known for producing a variety of television programs and publishing its own magazine. It provides television and radio services, film library licensing, content creation, aggregation and distribution, talent management, and digital media. The EV/EBITDA NTM ratio of Astro Malaysia Holdings Bhd.

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The Intriguing Debate Over Copyrighted Content in AI Training: What Entrepreneurs Need to Know

LexBlog IP

You see, when I was growing up, computers took up entire rooms and content was published on paper – books, newspapers, magazines, and yes, sometimes even broadcast on television or radio. The Internet is exponentially growing; and along with it Internet-based digital content creation. Copying was tedious.

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Social Media Giants and Copyright: Instagram’s Ninth Circuit Win Sets Precedent Against Photographers

The IP Law Blog

The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible. Aereo, Inc. ,

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Social Media Giants and Copyright: Instagram’s Ninth Circuit Win Sets Precedent Against Photographers

LexBlog IP

The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible.

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Government Gets the Law Wrong as it Finally Makes the Case Why it is Rejecting the Bill C-11 User Content Regulation Fix

Michael Geist

When they make money from these activities, social media companies must be obliged to reinvest in our creators and into local content creation. The official explanation is an afterthought in Gold’s speech, who instead focuses on the loophole claims by citing two examples. Last year, they attracted hundreds of millions of viewers.

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Copyright Evidence: 21 for 2021 (a year in review)

Kluwer Copyright Blog

This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television). In the wake of this automation, Peukert and Windisch look more to the ‘after’ of platform liability, in a future of ContentID, algorithmic licensing, and blockchain technologies.