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3 Count: Hey Mickey!

Plagiarism Today

claimed that they held 50% ownership in the work, given to them by a producer named Greg Mathieson who worked on the album. Atkinson sued Netflix and Dark Horse Comics, alleging that Umbrella Academy copies characters and elements from a 1996 comic book he created for Rogue Satellite Comics. However, a UK company named Stillwater Ltd.

Music 215
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Satirical Depiction in YouTube Video Gets Rough Treatment in Court

Technology & Marketing Law Blog

The video depicted its award as the well-known Emmy statuette with a coronavirus replacing the atom in the holder’s hands: The Television Academies, who own the IP rights to the statuette, targeted the video with a DMCA notice to YouTube, which YouTube honored. Copyright Infringement/Fair Use. Goodman counternoticed.

Fair Use 130
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US—Copyright Round-Up

Kluwer Copyright Blog

Recent appellate decisions in the United States have recognized expanded grounds for personal jurisdiction in cases of internet-based copyright infringements; divided on the extent to which the three-year statute of limitations limits damage recoveries; and increased the occasions for motions to dismiss on the ground of fair use.

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Too Rusty For Krusty–Nickelodeon v. Rusty Krab Restaurant (Guest Blog Post)

Technology & Marketing Law Blog

Finally, it points out Viacom is the owner of three valid trademark registrations for the KRUSTY KRAB mark and 400 copyright registrations covering “creative aspects of the SpongeBob SquarePants franchise,” including episodes from the animated television series, movies, drawings, and stylebooks featuring artwork from the franchise.

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Parliamentary Standing Committee and Copyright Reform: One Step Forward, Three Steps Back

SpicyIP

Limitations on storage of copied works in digital formats. Historically, the exceptions for teaching, education and research have never been qualified by the nature of ownership of the institution where the use of the work is carried out. To put things in perspective, even the most IP-friendly jurisdiction of US in Cambridge v.

Copyright 119
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Why Netflix’s “Bridgerton” Lawsuit is Good for Fan Fiction

Copyright Lately

And unlike the vast majority of songwriters and performing artists who have relinquished ownership rights to musical publishers and record labels, Barlow & Bear decided to release “The Unofficial Bridgerton Musical” themselves, which means keeping more of the earnings. A Musical Parody ” and “ Friends!

Music 102
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A&E's (c) and TM claims survive against former producer's new version of cop show

43(B)log

A&E Television Networks, LLC v. 16, 2023) The court refused to dismiss copyright and trademark claims based on copying of a TV show format, including the hosts. It developed the show with Big Fish, but the parties agreed that A&E would have exclusive ownership of the rights in Live PD. “In 7411 (KPF) (S.D.N.Y.