Remove Copying Remove Moral Rights Remove Ownership Remove Publishing
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St. Art Foundation v. Acko General Insurance: Decoding Street Art, Fair use and Moral rights

SpicyIP

52(1)(t) and ‘moral rights’ of the author in such work. Lastly, I will discuss the argument of moral rights of the author in contending the ‘fair use exemption’ of their work. As a corollary, it also asserted ‘moral rights’ over the mural under Sec. 166 of Create, Copy, Disrupt). 57 of the Act.

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Conundrum Involving The Ownership Of The Work Created By Ai

IP and Legal Filings

Introduction Any literally or artistic work that is original and creative i.e.; not copied from anywhere by the owner is protected under Copyright Act, 1957. Issues There are many issues in granting ownership to AI. It isn’t practical to allow ownership to the AI.

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IPSC Panel 14 – Copyright Authorship & Ownership

43(B)log

Atlantic Monthly first published Twain’s work, credited to him alone, in 1874. Twain thought he should have ownership of his lectures—“my lecture was my property.” No evidence of express consent; is telling it in front of him implied consent for him to publish it in his name w/no payment? Would that still exist today?

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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

And who poses moral rights in the work? McDonagh discusses the emergence of the author figure as the owner of a dramatic work by analysis of authorship and ownership of plays from the Elizabethan period up to the early twentieth century. In what circumstances can a director or actor be granted joint-authorship with the writer?

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

When the said sensor recognizes it is in front of the Ara Pacis, it gives the order to copy the colored reproductions of some parts of the Ara Pacis, stored in a cloud-based database, and display them on the screen of the goggles. When copyright is involved, both economic and moral rights issues are at stake.

Copyright 103
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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

This article was originally published in The Scholarly Kitchen. After all, while we are pondering the weighty issue of future ownership, we are not focusing on the fundamental issue of wholesale copying of works to train AI in a wide variety of situations. is being used as code. Case 2- Anderson, et al. v Stability A.I.

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Metadata Ruling Gives YouTube a Timely Boost in Content ID Lawsuit

TorrentFreak

Many digital file formats allow creators to embed additional data to provide details of ownership or any other relevant information. Copies of his images also appeared on other websites, again without the metadata. Jackson believes the nature of the platform where the content was published could also provide guidance.