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No Free Use in the Purple Rain – U.S. Supreme Court Finds License of Andy Warhol’s “Orange Prince” Infringes Photographer’s Copyright

LexBlog IP

In 1984, Vanity Fair sought to license the photograph for an “artist reference” in a story about the musician. Goldsmith agreed to license a one-time use of the photograph with full attribution. The first factor of fair use considers the nature of and reasons for a copier’s use of an original work. [4]

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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

After all, while we are pondering the weighty issue of future ownership, we are not focusing on the fundamental issue of wholesale copying of works to train AI in a wide variety of situations. I speculated that this was an attempt to avoid a messy fair use dispute. is being used as code.

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Why Netflix’s “Bridgerton” Lawsuit is Good for Fan Fiction

Copyright Lately

And unlike the vast majority of songwriters and performing artists who have relinquished ownership rights to musical publishers and record labels, Barlow & Bear decided to release “The Unofficial Bridgerton Musical” themselves, which means keeping more of the earnings. A Musical Parody ” and “ Friends!

Music 104
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US Copyright Office Generative AI Inquiry: Where are the Thresholds?

Patently-O

Although the notice focuses on copyrightability, ownership questions will also come into play. The copyright office seeks input on the legality of training generative models on copyrighted works obtained via the open internet, but without an express license. A traditional approach would allow for joint liability.

Copyright 120
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AI Generated Art and its conflict with IPR

IIPRD

This article delves into the ongoing debate around the issue of right of ownership of copyright by AI generators for their novel artwork. And then further questions like if given protection under IPR, will that be fair to the initial creators, whose works were used without consent or licensing to create these so-called novel art pieces?

Art 52
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New Tools, Old Rules: Is The Music Industry Ready To Take On AI?

Copyright Lately

Companies have to obtain permission and execute a license to use copyrighted content for AI training or other purposes, and we’re committed to maintaining these legal principles.” By the way, I purposely used the names of individuals in my example to make a point. We own all sounds captured on a sound recording.

Music 87
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WIPIP Concurrent Session #3: Copyright Doctrine

43(B)log

In 1963, Disney expressed skepticism about monopoly aspects of extended term and “expressed doubt that Congress would approve a longer ownership period.” Hughes: it was the Fairness in Music Licensing Act, not the DMCA, which was intertwined. Works almost like a fair use defense. 3) “So what?”