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NFTs: promisingly transformational, yet fraught with IP pitfalls – Part I

Kluwer Copyright Blog

Image by Tumisu via Pixabay Non-fungible tokens (NFTs) are altering society’s notion of digital ‘ownership’ and redefining the common perspective on distribution of original works to consumers by introducing scarcity to the digital realm.

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IP Protection of NFTs: A Comparative Look at the US and China

IP Tech Blog

The challenge becomes even bigger if NFTs are to be commercialized, exploited, and protected in different jurisdictions and at the same time — particularly when those markets include China, where protection for a foreign NFT creator or exploiter may face unique challenges. Therefore, DCs cannot be freely transacted in the Chinese market.

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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

After all, while we are pondering the weighty issue of future ownership, we are not focusing on the fundamental issue of wholesale copying of works to train AI in a wide variety of situations. This proposed expansion of the exception was recently rejected by the UK government. is being used as code. Case 2- Anderson, et al.

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IP Protection of NFTs: A Comparative Look at the US and China

LexBlog IP

The challenge becomes even bigger if NFTs are to be commercialized, exploited, and protected in different jurisdictions and at the same time — particularly when those markets include China, where protection for a foreign NFT creator or exploiter may face unique challenges. Ownership and Enforcement. Copyright Ownership.

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What are the intellectual property rights for startups?

Biswajit Sarkar Copyright Blog

These rights provide exclusive ownership and control over intangible assets, allowing creators to protect their innovations from unauthorised use, reproduction, or distribution. IPRs are crucial for startups as they safeguard their unique ideas and creations, enabling them to establish a competitive edge in the market.

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

Thus, AR can be considered as a tool for boosting cultural heritage exploitation, helping achieve the educational mission of bodies governing cultural heritage, as well as enabling better participation in cultural life. Thus, ownership of such rights is crucial for exploitation purposes. Copyright implies exclusive prerogatives.

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New Tools, Old Rules: Is The Music Industry Ready To Take On AI?

Copyright Lately

Chrissy has created an unauthorized derivative work of the SpongeBob track (which probably won’t make Sire Records happy), but she likely hasn’t implicated any copyright interests in the UMG-owned Drake recordings that were used by Janet to train the original model. We own all sounds captured on a sound recording.

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