The IPKat
MARCH 18, 2023
As someone who has also authored a practical guide ( Copyright in the Music Industry ) that is aimed at a novice audience, this Kat must stress the intended audience of the book and, as such, the lack of references and appendices of legal texts.
Kashishipr
AUGUST 31, 2022
When you enforce your copyright, you enforce your copyright-related rights, which fall under Intellectual Property Rights (IPRs). The copyright owner or holder has the right to control who uses his creative work and the contexts in which the said work could be used. Copyright Owner or Copyright Holder.
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LexBlog IP
AUGUST 30, 2023
According to article 1(1): intellectual creators, by creating the work, acquire intellectual property over it, which includes, as exclusive and absolute rights, the right to exploit the work (property right) and the right to protect the personal link to it (moral right). Emphasis added.)
IP and Legal Filings
DECEMBER 6, 2022
The transformed state of music now also includes remixes which on a substantial purview might engage in conflict with the foundational legal rights of the music produced by the musician. Right to communicate the work to the public. Image Source: Shutterstock].
The IPKat
MAY 22, 2023
The use of AI technology to generate images or music and other creative works, has legal implications for copyright and related rights of creators and rightsholders. As the creative industry is responsible for 6% of the UK’s GDP, the dialogue is particularly important with regards to the protection of the rights of the creatives.
Kluwer Copyright Blog
NOVEMBER 17, 2021
This first part covers the definition of a work, authorship and moral rights. Parts 2 to 4 will address exploitation rights, related rights, exceptions and limitations, copyright contract law and enforcement. Moral rights (Sections 12-14 UrhG).
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