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Role of Intellectual Property in Entertainment Industry

IIPRD

In this sector, intellectual property (IP) regulations are essential for defending the rights of inventors, artists, and producers. We will examine the fundamental ideas and rules of copyright, trademark, and patent laws as well as how they relate to various entertainment business sectors in this extensive book.

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Sunday Surprises

The IPKat

This week’s big IP news is the New York Times suing OpenAI and Microsoft for copyright infringement, trademark dilution and other violations of existing laws. As with most current cases related to AI’s copyright infringement, this one will most likely result in the issuance of a landmark ruling. Microsoft Corp.,

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Innovate, Protect, Sustain: Navigating IPR for Sustainable Development Goals

Intepat

When we talk about Intellectual Property and Sustainable Development, there are 4 major intersections: the People, Planet, Economy, and Intellectual Property. But the US ratified Agenda 21 and the CBD because of the contentious references to intellectual property rights.

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Who holds copyright in 3D copies of repatriated cultural heritage?

Kluwer Copyright Blog

A recent European Commission recommendation mentions using 3D technology in the highest level of detail, and sets targets for digitisation by 2030, with the goal of digitising 100% of cultural heritage that is at risk and 50% of the most physically visited cultural and heritage monuments, buildings and sites.

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Monday Miscellany

The IPKat

His law degree led him to various professional positions in the United States, where he is now Senior Copyright Counsel at Google. The initiative is entitled " Copyright Law 2030 - A memorandum on the future of the creative ecosystem in Europe ". Registrations are open and available here.

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European Commission proposes a common European data space for cultural heritage

Kluwer Copyright Blog

” The common data space will be based on the European digital cultural platform, Europeana , and the recommendation encourages Member States to digitise by 2030 all monuments and sites that are at risk of degradation and half of those highly frequented by tourists. More from our authors: Law of Raw Data. by Christopher Heath. €