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Role of Intellectual Property in Entertainment Industry

IIPRD

In this sector, intellectual property (IP) regulations are essential for defending the rights of inventors, artists, and producers. We will examine the fundamental ideas and rules of copyright, trademark, and patent laws as well as how they relate to various entertainment business sectors in this extensive book.

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Innovate, Protect, Sustain: Navigating IPR for Sustainable Development Goals

Intepat

When we talk about Intellectual Property and Sustainable Development, there are 4 major intersections: the People, Planet, Economy, and Intellectual Property. But the US ratified Agenda 21 and the CBD because of the contentious references to intellectual property rights.

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Sunday Surprises

The IPKat

In autumn, the draft Strategic Plan 2030 will be put forward for adoption. The consultation phase of the SP2030 will run until 16 February 2024 and is open to all interested stakeholders, experts from the intellectual property system and members of the general public. The whole editorial is available here.

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European Commission proposes a common European data space for cultural heritage

Kluwer Copyright Blog

” The common data space will be based on the European digital cultural platform, Europeana , and the recommendation encourages Member States to digitise by 2030 all monuments and sites that are at risk of degradation and half of those highly frequented by tourists. More from our authors: Law of Raw Data. by Christopher Heath. €

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Monday Miscellany

The IPKat

CIPLITEC | Center for Intellectual Property Law, Information and Technology Copyright 2030 – “ The Future of the Creative Ecosystem in Europe ” (9 December 2021) CIPLITEC's interdisciplinary group of leading academics is organizing an online event on 9 December 2021 from 17:30 to 19:30 (CET).

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Who holds copyright in 3D copies of repatriated cultural heritage?

Kluwer Copyright Blog

A recent European Commission recommendation mentions using 3D technology in the highest level of detail, and sets targets for digitisation by 2030, with the goal of digitising 100% of cultural heritage that is at risk and 50% of the most physically visited cultural and heritage monuments, buildings and sites. by Alexander Puutio. €

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