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Digitalization And Copyright Law

IP and Legal Filings

This has led to varying degrees of copyright infringements in this digital era. Copyright And Copyright Law Copyright is one of the crucial parts of Intellectual Property Rights which helps the owner of any creative work to have a legal right over the possession of such work or art.

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Is it a Picasso? A Rembrandt? No, it’s Artificial Intelligence

IPilogue

Photo Credits: Sukanya Sarkar (ManagingIP.com) (The image above is that which received copyright protection). Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. .

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Artist Royalties: An exegesis of Resale rights in India

IIPRD

Introduction A fundamental postulate of Intellectual Property Rights is due recognition and benefits to creators, innovators, and artists over tangible creations of their original ideas. This theory prescribes that artists have inalienable rights over their artwork upon its creation. Rethinking Copyright and Personhood.”

Artwork 98
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AI Generated Art and its conflict with IPR

IIPRD

This is a major point of contention in the realm IP laws today whether or not AI can be given the said rights and protections under law. This question even after a broad reading of the Indian Copyright law remains unanswered, demanding an amendment in the present law or more clarity on the same by the way of judicial decisions.

Art 52
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The Future of Copyright. In memory of Luigi Carlo Ubertazzi (Report 1/2)

The IPKat

Many, if not all, the readers of this blog will have sincere admiration for the academic world of intellectual property. The conference was attended by Italy's most authoritative professors who are experts in intellectual property and copyright law in particular, who gave a number of memories of Prof.

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Canada’s First AI-Authored Copyright Registration Paints a Picture of Uncertainty

IPilogue

Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. Labelling the work as a “creation”, as opposed to an “output” or “generation”, has been the topic of global debate.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. Artistic works?)

Ownership 125