IPilogue
SEPTEMBER 20, 2021
Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. . Creative works, such as artworks, qualify for copyright protection if they are original.
IIPRD
MARCH 1, 2023
Introduction A fundamental postulate of Intellectual Property Rights is due recognition and benefits to creators, innovators, and artists over tangible creations of their original ideas. Berne convention for the protection of literary and artistic works, 1886 3. Artists Rights Directive. Yoo, Christopher.
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The IPKat
SEPTEMBER 29, 2022
Many, if not all, the readers of this blog will have sincere admiration for the academic world of intellectual property. The conference was attended by Italy's most authoritative professors who are experts in intellectual property and copyright law in particular, who gave a number of memories of Prof.
IPilogue
JANUARY 17, 2022
Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. . While many were observing the new year, intellectual property scholars and the artistic community were celebrating Public Domain Day.
IPilogue
MARCH 21, 2022
Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. Labelling the work as a “creation”, as opposed to an “output” or “generation”, has been the topic of global debate.
IIPRD
APRIL 8, 2024
With the development of latest technologies like the Creative Adversarial Network (“CAN”), many areas which were yet unexplored in the realm of Intellectual Property Rights have arisen. 30, 2023) [link] Soaham Bajpai, Artificial Intelligence and Its Creation: Who Owns Intellectual Property Rights?, 10 GNLU J.L.
The IPKat
NOVEMBER 20, 2022
Artistic works?) See South Africa's Intellectual Property Laws Amendment Act. Oriakhogba also weighs in on the perennial issue of the classification of cultural heritage materials (are they expressions of folklore? Traditional cultural expressions? and the implications of any preferred classification.
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