Biswajit Sarkar Copyright Blog
OCTOBER 9, 2023
Undoubtedly, the OTT broadcasting market is one of the world’s largest media markets. The potential flow of advertisement traffic for this content makes them lucrative assets for any commercial establishment. Most of the content on these platforms is subscription-based.
LexBlog IP
NOVEMBER 4, 2022
Astro Malaysia Holdings Berhad (ASTROKLS) is a Malaysian holding company with a market capitalization of 4354 billion Malaysian Ringgit. It provides television and radio services, film library licensing, content creation, aggregation and distribution, talent management, and digital media.
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TorrentFreak
APRIL 27, 2024
Speaking with TorrentFreak, Kuik recalls that the home video market was just opening up. Initially, movie studios saw videotapes as a threat, but they soon realized that they could market official movies to consumers as well, which proved to be a new source of revenue. secures structural employment in content creation and distribution.
JIPL Online
MARCH 19, 2021
Given the disparity in negotiating power between a platform the size of Twitch and individual creators, Twitch is better situated to take on the burdens of negotiating a music licensing solution on behalf of all of the creators who drive traffic to their site. [i]
The IP Law Blog
AUGUST 17, 2023
The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible.
Kluwer Copyright Blog
FEBRUARY 22, 2022
In this post, we offer an overview of the project to date, stratified across CREATe’s core research themes : Creative Industries , the Public Domain , and Competition and Markets. For investors, copyright has become a currency; users struggle with rights clearance (or ignore rights altogether); creators seek ever new ways to the market.
Michael Geist
APRIL 20, 2023
When they make money from these activities, social media companies must be obliged to reinvest in our creators and into local content creation. The official explanation is an afterthought in Gold’s speech, who instead focuses on the loophole claims by citing two examples. Last year, they attracted hundreds of millions of viewers.
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