Kluwer Copyright Blog

APRIL 13, 2023

Photo by Markus Spiske on Unsplash Welcome to the first trimester of the 2023 round up of EU copyright law! In this edition, we report on an AG Opinion that came out late in 2022 and update you on what has happened in the first trimester of 2023 in EU copyright law.

Copyright Law 73

Copyright Law Law Copyright Copying 73

IIPRD

FEBRUARY 6, 2024

Introduction The media and entertainment industry is a broad and ever-evolving domain that includes several industries, including music, cinema, television, fashion, and more. In this sector, intellectual property (IP) regulations are essential for defending the rights of inventors, artists, and producers.

Intellectual Property 52

Intellectual Property Cease and Desist Copyright Law Music 52

Technology & Marketing Law Blog

DECEMBER 13, 2023

by guest blogger Kieran McCarthy Many characterize the law of copyright preemption of contracts as a circuit split. But that undersells the level of inconsistency in courts’ interpretations of the law of copyright preemption. But fair use isn’t a defense to a breach of contract claim.

Blogging 82

Blogging Copyright Contracts Cease and Desist 82

Kashishipr

JUNE 23, 2021

Such collection of massive structured, unstructured, and multi-structured data is due to our constant interaction with smart gadgets and technologies like mobile phones, credit cards, televisions, computers, smart watches, etc. Therefore, it doesn’t differentiate between different kinds of data and their applicability.

Intellectual Property 98

Intellectual Property Invention IP Copyright 98

Kluwer Copyright Blog

DECEMBER 26, 2021

Welcome to the fourth and final trimester of 2021 round up of EU copyright law! In this series, we update readers every three months on developments in EU copyright law. The bill tackles issues such as equitable remuneration for streaming, contract adjustment, right of revocation and transparency.

Copyright Law 113

Copyright Law Copyright Law Reporting 113

Kluwer Copyright Blog

FEBRUARY 22, 2022

Barr makes explicit a factor we had long suspected with the skew of evidence on the Portal: the music industry is disproportionately overrepresented in empirical copyright literature. This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television).

Copyright 52

Copyright Public Domain Marketing Marketing 52