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IPSC Panel 14 – Copyright Authorship & Ownership

43(B)log

Atlantic Monthly first published Twain’s work, credited to him alone, in 1874. Twain thought he should have ownership of his lectures—“my lecture was my property.” No evidence of express consent; is telling it in front of him implied consent for him to publish it in his name w/no payment? Would that still exist today?

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Canadian Perspectives on Artist Resale Rights

IPilogue

The embedding of “smart contracts” in NFT sales allows for the automatic distribution of royalties – roughly 10% – anytime a change of ownership is requested on the blockchain. Exercising control of downstream purchaser actions for traditional or non-digital artistic mediums is more complicated.

Art 105
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Copyright Of Cinematograph Films: Indian Scenario

IP and Legal Filings

The producers of the movie in question disputed the system, claiming that they were the true creators of the work and that the music and lyrics used in the film were not protected by copyright or public performance rights. [7] Agi Music, the court made two rulings that severely restricted the rights of songwriters. 106A [3] Marley C.

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

This authorization may be grounded on property, contracts, cultural heritage rules or on copyright. For instance, moral rights may be at stake, as well as alternative forms of protection that may limit the availability of works, such as cultural heritage-related rules or contractual provisions. published in Grur.

Copyright 103
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Some Thoughts on Five Pending AI Litigations – Avoiding Squirrels and Other AI Distractions

Velocity of Content

This article was originally published in The Scholarly Kitchen. After all, while we are pondering the weighty issue of future ownership, we are not focusing on the fundamental issue of wholesale copying of works to train AI in a wide variety of situations. Case 3- Thomson Reuters Enterprise Center GMBH and West Publishing Corp.

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Book review: Performers' Rights

The IPKat

Recognising the challenges for performers in the position and enforcement of their rights, the book also includes discussion on other forms of protections and remedies for performers, such as moral rights, contracts, passing off and copyright infringement.

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Limitations to parties’ choice of law in copyright exploitation contracts in the digital era (Part 1)

Kluwer Copyright Blog

Thus, the digital context of copyright exploitation contracts leads to questions of applicable law. Business-to-business contracting parties enjoy significant freedom in determining the law applicable to their contractual relationship. The online exploitation of content protected by copyright inherently entails cross-border aspects.