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“Inducing” Copyright Infringement in Canada: Is it a Thing?

IPilogue

A version of this paper is scheduled to be published in the Intellectual Property Journal. Is there such a thing as “inducing” copyright infringement? Copyright legislation simply creates rights and obligations upon the terms and in the circumstances set out in the statute. … Thanks to Ronald M. Lieberman, Christopher G.

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Who Owns the Copyright in Your Tattoo Art?

Art Law Journal

You’re considering a lot of different things when thinking about inking a new tattoo, but copyright infringement probably isn’t one of them. The post Who Owns the Copyright in Your Tattoo Art? The post Who Owns the Copyright in Your Tattoo Art? appeared first on Art Business Journal.

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Utilizing the Annual Copyright License Across Your Organization

Velocity of Content

Fast-paced organizations that rely on and invest heavily in R&D should not only regard published content as the heart of innovation, but also possess a deep appreciation of the system of copyright protecting this intellectual property. Success is dependent on collaboration, networking, and sharing information.

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Germany: Liability of hosting providers under copyright law if they have breached a duty of care – The German BGH ends mere ‘Stoererhaftung’

Kluwer Copyright Blog

Therefore, case law plays a huge role in ensuring the establishment of a fair and balanced liability regime, in particular as concerns the issue of (indirect) liability for internet service providers and other intermediaries whose services are used to commit copyright infringements.

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Are Courts Finally Getting Fed Up With Copyright Shakedowns?

Copyright Lately

Recent decisions suggest courts are losing patience with those who bring dubious copyright infringement claims as part of their business models. Back in May, I wrote about an overzealous copyright infringement lawsuit filed by Rachel Dolezal , the woman best known for mispresenting her racial background.

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Copyrightability of a Programming Language

Patently-O

SAS argues that it made a “plethora of creative choices” in developing its material, and that creativity is more than sufficient to satisfy the originality requirements of copyright law. Thus far, the courts have disagreed with SAS and rejected its copyright assertions. Appellee WPL Responsive Brief. 1119 (1986).

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The case law of the German Federal Court of Justice and other German courts in 2022 – Part II

Kluwer Copyright Blog

Photo by Christian Wiediger from Unsplash Part I of this annual post reporting on the copyright case law of the German Bundesgerichtshof covered decisions in the areas of copyright protection and exploitation rights, as well as exceptions and limitations. IV. Copyright contract law (Sections 31 et seqq.

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