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Derivative works: the Adventures of Koons and Tintin in French copyright law

Kluwer Copyright Blog

Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivative works”). Derivative works under French copyright law. here and here ). a remake or an adaptation of a book into a film).

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[Guest Post] Event report: AI Fringe, Protecting Creators in the Age of AI

The IPKat

This Kat was very happy to participate in the AI & Creativity: Protecting Creators in the Age of AI Panel which took place as part of the AI Fringe event on Friday, 3 November 2023 at the Knowledge Centre of the British Library, London. I attended one of the last events, a panel discussion about ‘AI & Creativity’.

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A Lady Whistledown-Worthy Scandal!

IPilogue

Netflix argued that this is a direct violation of US copyright law , which provides that only copyright holders have the exclusive right to monetize and create derivative works of their IP. Since one of the event locations is in Washington D.C

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How Original! The Oscars and the Craft of Derivative Works

Trademark and Copyright Law Blog

As we ramp up for film’s most anticipated event, the lists start flying for the year’s potential winners. One aspect of copyright law that makes adaptations attractive is derivative works. A derivative work is a work based on one or more existing copyrighted works. In Yonay v.

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[Guest post] Archival Authenticity or Iconic Copies? Some IP Thoughts on Dolce & Gabbana’s SS23 Collection Curated by Kim

The IPKat

A focus on the past, and the success of heritage-focused events, collaborations and products , also raises the possibility that heritage can at times act as an extra-legal norm in negatives spaces of IP or even low-IP regimes. copyright law. Copyright Office Review Board’s affirmation of the U.S. As in the U.S.,

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Why Netflix’s “Bridgerton” Lawsuit is Good for Fan Fiction

Copyright Lately

performances of “The Unofficial Bridgerton Musical”) or other derivative works that might compete with Netflix’s own planned live events,” including the multi-city “ Bridgerton Experience.” First, as far as copyright cases go, this one’s easy. Barlow & Bear refused.”

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[Guest post] Bad Bunny shoo shooes anyone liking AI-generated song replicating his style and voice – is he right?

The IPKat

In any event, it is worth noting that the decision to delete did not stem from the artificial origin of the music, but rather from the fact that the songs were being used to collect royalties on behalf of fraudulent accounts. Will our copyright laws be ready to keep up and protect the humans that made music in the first place?

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