Copyright Law Moral Rights Ownership Publishing 
The IPKat
NOVEMBER 22, 2021
this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyright law and historical and contemporary theatre.
SpicyIP
DECEMBER 6, 2023
Acko General Insurance , the Delhi High Court is faced with the opportunity to elaborate whether and how street art in general is subject to the Copyright Act, the scope of ‘artistic work’ under Sec. 52(1)(t) and ‘moral rights’ of the author in such work. 2(c)(i), and, thus, copyrightable under sec. 57 of the Act.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
IP and Legal Filings
APRIL 20, 2023
Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.
SpicyIP
JULY 14, 2023
A longtime friend of the blog, Achille is currently serving as an Advisor to the Board of the Indian Performing Right Society. With over 35 years of experience in the creative industries, Achille pioneered music publishing in India with Deep Emotions Publishing in 1996 and has also served as a public servant in France.
IP and Legal Filings
APRIL 26, 2023
According to Section 2(d)(v) of the Copyright Act, the producer of a cinematograph film is considered the work’s creator. [1] This preference for producers in copyright law has recently been questioned. As per section 18(1), the author, not the copyright holder, is entitled to receive royalties.
LexBlog IP
OCTOBER 10, 2023
So if graffiti can be protected, does one need permission from the artist to photograph the work and then “publish” it to a social media platform? Copyright Law grants the author the exclusive rights to exploit the work, subject to certain fair use defenses. But the artist can waive these rights in writing.
IP and Legal Filings
DECEMBER 6, 2022
Violations of copyrights are addressed under Chapter XI of the Copyrights Act of 1957. Infringement of copyrights is addressed under Sections 51 through 53A of the Copyrights Act, 1957. Producers may claim exclusive ownership of an album or song in court owing to copyright protections.
Expert insights. Personalized for you.
145 
Let's personalize your content