SpicyIP
DECEMBER 6, 2023
Acko General Insurance , the Delhi High Court is faced with the opportunity to elaborate whether and how street art in general is subject to the Copyright Act, the scope of ‘artistic work’ under Sec. 52(1)(t) and ‘moral rights’ of the author in such work. 2(c)(i), and, thus, copyrightable under sec. 57 of the Act.
The IPKat
NOVEMBER 22, 2021
this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyright law and historical and contemporary theatre.
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IP and Legal Filings
APRIL 20, 2023
Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.
43(B)log
AUGUST 11, 2022
In most cases, the spouse doesn’t contribute copyrightable creativity. Argument: spouse’s contribution should not be seen through copyright law but through family law. Ownership should require a lower burden of proof: comes from the relationship between the spouses and not from the connection to the creation.
IPilogue
NOVEMBER 30, 2022
Copyright law protects and should continue to protect communicative and dialogical spaces. Copyright laws should not stand between exposure to authenticity, but at the same time should not avoid dealing with illegal ownership claims.”. As such, these works deserve sui generis protection.
IPilogue
NOVEMBER 30, 2021
In May 2021, a phenomenal IPilogue submission by Keir Strickland-Murphy (Osgoode Law ‘22) touched on the recent boom of Non- fungible Tokens. In this piece, I will recapitulate Strickland- Murphy’s exploration of IP ownership of Non-fungible Tokens and expand on recent developments since May. What about copyright infringement?
IP and Legal Filings
APRIL 26, 2023
According to Section 2(d)(v) of the Copyright Act, the producer of a cinematograph film is considered the work’s creator. [1] This preference for producers in copyright law has recently been questioned. As per section 18(1), the author, not the copyright holder, is entitled to receive royalties.
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