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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials. See South Africa's Intellectual Property Laws Amendment Act.

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Sunday Surprises

The IPKat

This webinar will address the legal protection afforded to tattoos by copyright law, covering current discussions on ownership and infringement of tattoos as copyright works, including in the context of commercial uses in video games and films. and “Sustainability and Intellectual Property Law”. More details here.

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Canadian IP Scholars Submit their Recommendations to the Federal Government on AI, the Internet of Things, and the Modernization of the Copyright Act – Part 1

IPilogue

Moreover, TDM plays a role in scholarly and commercial research, education, and journalism. Authorship and Ownership of Works Generated by AI. The group highlighted their concerns regarding the regulation of text and data mining (TDM) activity under the Copyright Act.

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Global Digital Encounter 21: The Metaverse as a Challenge to Classical IP

Kluwer Copyright Blog

Last Wednesday, Fide (a legal-economic think-tank) held the latest in their series of Global Digital Encounters (GDE) – an online panel discussion focusing on the metaverse and IP with some of the leading experts in digital laws. The discussion then turned to the role of IP law and rights in the metaverse.

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Balancing Innovation: India’s Views for Pharmaceuticals in the Efta Trade Deal

IIPRD

i] Recently, the trend of increasing prevalence of TRIPS-Plus provisions within these trade agreements introduces stricter intellectual property (IP) regimes. With India being a major producer of generic drugs, stricter IP rules advocated by EFTA countries could pose a challenge. vii] OECD, [link] (last visited Mar.

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Copyright Of Cinematograph Films: Indian Scenario

IP and Legal Filings

7] They argued that since they paid for these elements to be used in their movie, they had legitimate ownership of the final product. Although the ownership of a work can be transferred by assigning the copyright, the author always remains the same and is not considered when referring to the owner of the work. 106A [3] Marley C.

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Protecting Farmers Intellectual Property Rights in India: Challenges and Opportunities

IIPRD

In India, farmers have traditionally had a keen sense of community ownership over their agricultural practices and knowledge, and their rights have been recognized under the Plant Varieties and Farmers’ Rights (PVFR) Act of 2001. Intellectual property rights of farmers in India: issues and challenges. Parayil, G. Reddy, R.