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Moral Rights in Copyright: Lin-Manuel Miranda sues Texas Church for unauthorized performances of “Hamilton”

IPilogue

The copyright issues that exist in this situation include: unauthorized streaming, unauthorized use of Hamilton content, unauthorized alterations to Hamilton content, and an infringement of an artist’s “moral right” to their copyrighted work. .

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First duel between NFTs and copyright before the Spanish courts: NFTs 1 – Authors 0

Kluwer Copyright Blog

Mango, in turn, sustained in its defence that (i) as the rightful owner of the physical Paintings, it was entitled to display them in public, and that (ii) the creation of digital works (i.e. Therefore, the moral right of “disclosure” had already been exhausted. an exploitation that caused them no harm).

Copyright 121
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Music Piracy

Biswajit Sarkar Copyright Blog

Section 52 states that educational purposes, research, or criticism are all fair use and do not constitute copyright infringement. If a school organizes a performance on its grounds where pupils will put on a musical performance for their professors and classmates, it will be covered under the provision of fair use of copyright.

Music 52
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Copyright Infringement and Music

Biswajit Sarkar Copyright Blog

According, to section 52 educational purposes, research or criticism are all fair use and do not attract copyright infringement. Even using a legal music streaming service to listen to music on your own phone and in your own house or in a private setting does not attract copyright infringement. Mannu Bhandari V.

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Is Generative AI Fair Use of Copyright Works? NYT v. OpenAI

Kluwer Copyright Blog

Such uses, they argue, constitute copyright infringement. Fair Use Precedent? Google Books and Transformative Use The past two decades have seen a wealth of technological developments, but generative AI is qualitatively different from everything that has come before. However, the U.S.

Fair Use 137
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Copyright Infringement and Music

Biswajit Sarkar Copyright Blog

According, to section 52 educational purposes, research or criticism are all fair use and do not attract copyright infringement. Even using a legal music streaming service to listen to music on your own phone and in your own house or in a private setting does not attract copyright infringement. Mannu Bhandari V.

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Bracing for Impact Keynote Address Tells a Copyright Story Never Told: Art and Copyright in Ghettos and Concentration Camps

IPilogue

Dean Zemer explored the copyright principles of Fair Use, Orphan Works, and Perpetual Rights. Similarly insufficient is the form of non-perpetual protection favoured by the Common Law – moral rights in Holocaust works should be granted perpetual protection, which requires special legislation.

Art 106