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Moral Rights: Considerations for Companies in the United States

JD Supra Law

There are many common misconceptions about copyrights and other rights associated with the ownership and control of a creative work, such as moral rights. These misconceptions often result in poor contract drafting, which can result in invalid terms and increased risk of conflict. By: SmithAmundsen LLC

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IPSC Panel 14 – Copyright Authorship & Ownership

43(B)log

McFarlin, A Copyright Ignored? Taking him at his word: Did Twain infringe her common-law copyright? Twain thought he should have ownership of his lectures—“my lecture was my property.” It’s not clear that giving Cord’s estate ownership would be social justice, but that’s a question worth asking. Federal preemption.]

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

Part 1 of this post outlines the technology, its applications in the cultural heritage sector and the potential copyright implications. Part 2 discusses the relevant copyright exceptions and limitations that interfere with the development of AR experiences. Copyright implications of AR in the cultural heritage sector.

Copyright 103
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IPSC Breakout Session 3, Language and Authorship/ownership

43(B)log

Linguistic Relativity and Its Implications for Section 230 and Copyright Christopher S. Constructed languages: attempts to use copyright to protect them. Copyright claims attempted to preserve/protect/avoid splits. Especially when done for dramatic purposes: should it be copyrightable? Tolkien: C&D, but no lawsuits.

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[Guest Post] Copyright as movable property: Constitutional issues with Nigeria’s Copyright Act 2022

The IPKat

The IPKat has received and is pleased to host the following guest contribution by Katfriend Seun Lari-Williams , PhD researcher in the fields of copyright and dispute system design at the University of Antwerp, regarding Nigeria's Copyright Act 2022 (which came into effect in 2023) and its constitutional reference to copyright as movable property.

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Copyright Of Cinematograph Films: Indian Scenario

IP and Legal Filings

Introduction The Indian Copyright Act of 1957 protects and recognizes cinematograph films as a form of creative work. According to Section 2(d)(v) of the Copyright Act, the producer of a cinematograph film is considered the work’s creator. [1] This preference for producers in copyright law has recently been questioned.

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Non-fungible Tokens: Commercializing Exclusive Digital Art- A Companion Piece

IPilogue

In this piece, I will recapitulate Strickland- Murphy’s exploration of IP ownership of Non-fungible Tokens and expand on recent developments since May. The sale of an NFT also includes a smart contract. Given this situation, Ratajkowski’s NFT auction was, as Ratajkowski explains it, an opportunity to reclaim ownership over her photo.