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NFTs: promisingly transformational, yet fraught with IP pitfalls – Part I

Kluwer Copyright Blog

Caveat Emptor The common notion that acquiring ownership of an NFT representing a work in which copyright subsists equates to owning the copyright to the underlying work is clearly false. Assignment The copyright owner may transfer the entirety of the copyright in the work to the purchaser by assignment.

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The Best Starting Place for People New to Copyright

Plagiarism Today

Copyright Office, which is part of the federal government, the work itself is in the public domain. Copyright Office. This makes it great for classrooms, corporate environments and anywhere else where licensing for distribution might have been a problem. However, even when looking at it from a U.S.

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Whither a Signal-Based Broadcast Treaty?

Kluwer Copyright Blog

Copyright: WIPO. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. No amendment offered in public session. Particularly when combined with the Article 7 fixation right, this provides the broadcaster with copyright-like exclusive rights in the programme.

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The Copyright Legacy of Martin Luther King

Copyright Lately

and 20th Century-Fox Records argued that, because King had distributed advance copies of the speech to the press without restricting them from reproducing or distributing it further (and without the copyright notice required under copyright law at the time), the speech was in the public domain.

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Who Owns the Copyright in AI-Generated Art?

Intepat

To delve deeper into the question of ownership, we need to grasp the traditional concept of copyright. Copyright laws are designed to safeguard the rights of creators. Historically, these rights have been attributed to human creators, forming the cornerstone of copyright law.

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Digital collections from GLAM institutions: Policy Paper

Kluwer Copyright Blog

Context Copyright can be challenging for cultural institutions (or “GLAM“ for Galleries, Libraries, Archives and Museums) when pursuing digitization and dissemination activities, as copyright governs whether a given work can be used and if so, how (as shown in recent studies for museums , archives or libraries ). Proposal 3.

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IP as a political instrument in Russia

The IPKat

Kat friend Iana Kazeeva provides an enlightening discussion on steps taken by the Russian government and courts with respect to IP following the invasion of Ukraine. The common denominator is the use of changes to the IP law as a political instrument towards states taking “unfriendly” actions against Russia. International license.

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