Copyright Law Intellectual Property Intellectual Property Law Moral Rights 
The IPKat
JANUARY 23, 2024
And the winner is: The Proportionality Test in European Patent Law (Bloomsbury) by Léon Dijkman Best Copyright Law Book The nominations were: • Copyright and the Court of Justice of the European Union (2nd edition), by Elenora Rosati. • Copyright: Music Borrowing and Copyright Law, by Enrico Bonadio and Chen Zhu. •
Kashishipr
AUGUST 31, 2022
However, in this aspect, what needs to be duly noted is that staying on top of Copyright Laws , rules, and regulations on a content-rich internet can be challenging. It is because not only the internet but the laws, rules, and regulations are also saturated with exceptions, clauses, and legal jargon.
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IIPRD
MARCH 1, 2023
Introduction A fundamental postulate of Intellectual Property Rights is due recognition and benefits to creators, innovators, and artists over tangible creations of their original ideas. However, re-sale rights exist as an exception to this rule.
Kluwer Copyright Blog
NOVEMBER 24, 2022
Children provide a unique contribution to the discourse on creativity, copyright and intellectual property. A systematic study on the copyright of children is yet to be attempted. A systematic study on the copyright of children is yet to be attempted. Image by bethL via Pixabay. 1197 and C?683/17
Intepat
DECEMBER 12, 2021
This article will discuss a topic related to the complex subject of “food plating” and how it is protected under copyright law. The dilemma is whether a chef’s aesthetic plating of a dish (who is also the original creator) may be protected under intellectual property rights.
Kluwer Copyright Blog
FEBRUARY 7, 2022
Singapore is the latest country to add TDM activities to the list of copyright exceptions. The missing bit: moral rights. Moral rights have not been sufficiently discussed in the context of AI/ML. Some countries have a longer list of moral rights. Could you claim an infringement of your moral rights?
IP and Legal Filings
APRIL 26, 2023
According to Section 2(d)(v) of the Copyright Act, the producer of a cinematograph film is considered the work’s creator. [1] This preference for producers in copyright law has recently been questioned. 8] These provisions recognized the rights of directors. 106A [3] Marley C. Cornish, D. Llewelyn and T.
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