Copyright Law IP Moral Rights Ownership 
IP and Legal Filings
APRIL 20, 2023
Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.
IP and Legal Filings
MAY 13, 2024
In doing so, it calls into question a fundamental assumption of many traditional intellectual property (IP) frameworks as copyright laws only protect works created by humans and not AI. Copyright law protects just the expression, not the idea itself.
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IPilogue
NOVEMBER 30, 2022
Claire Wortsman is an IPilogue Senior Editor and a 3L JD Candidate at Osgoode Hall Law School. On November 9, IP Osgoode, Reichman University and Microsoft hosted the first in-person Bracing for Impact Conference since 2019. Copyright law protects and should continue to protect communicative and dialogical spaces.
IPilogue
NOVEMBER 30, 2021
In May 2021, a phenomenal IPilogue submission by Keir Strickland-Murphy (Osgoode Law ‘22) touched on the recent boom of Non- fungible Tokens. In this piece, I will recapitulate Strickland- Murphy’s exploration of IP ownership of Non-fungible Tokens and expand on recent developments since May. What about copyright infringement?
IP and Legal Filings
APRIL 26, 2023
According to Section 2(d)(v) of the Copyright Act, the producer of a cinematograph film is considered the work’s creator. [1] This preference for producers in copyright law has recently been questioned. As per section 18(1), the author, not the copyright holder, is entitled to receive royalties.
SpicyIP
JULY 14, 2023
Image generated through DeepAI Readers will recall that last month Swaraj announced our IP History series which was followed by Shivam’s incisive posts on India’s entanglement with Berne Convention and the Stockholm Conference. Copyright and Author’s Rights The publishers wrote the history of Anglo-American copyright.
IP and Legal Filings
DECEMBER 6, 2022
Violations of copyrights are addressed under Chapter XI of the Copyrights Act of 1957. Infringement of copyrights is addressed under Sections 51 through 53A of the Copyrights Act, 1957. Producers may claim exclusive ownership of an album or song in court owing to copyright protections.
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