SpicyIP
DECEMBER 6, 2023
52(1)(t) and ‘moral rights’ of the author in such work. Lastly, I will discuss the argument of moral rights of the author in contending the ‘fair use exemption’ of their work. As a corollary, it also asserted ‘moral rights’ over the mural under Sec. 2(c), the fair use exemption thereof under Sec.
IP and Legal Filings
APRIL 20, 2023
Firstly, work generated from AI with input, in this case command is given by the human or programmer and get output out of it with the help of their creative and innovative ideas hence the ownership and authorship can be ascribed to the human who has given innovative inputs to the AI. Issues There are many issues in granting ownership to AI.
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SpicyIP
FEBRUARY 27, 2024
Without further ado, here’s what I found in the Januarys: Virtual World, Gaming, and IPs: Sifting through January pages, a decade-old post by Deepshikha Malhotra caught my attention, discussing Property Rights in the Virtual World. The question of ownership in the virtual world, particularly in video games, has long been debated.
IPilogue
DECEMBER 1, 2022
Justice Rothstein offered a Canadian perspective on how our moral rights framework would line up with Dean Zemer’s approach. Justice Rothstein explained that the concerns raised by Dean Zemer would fit neatly into the Canadian understanding of moral rights.
43(B)log
AUGUST 11, 2022
Rothman: we have speakers using someone else’s TM, and speakers using their own, which seem like they’re more similar than you’re presenting. What does validation of TM rights mean in this situation? Rosenblatt: compare treatment of inheritance where US © law treats inheritance very differently than many other rights/properties.
The IPKat
NOVEMBER 22, 2021
And who poses moral rights in the work? The monograph is presented in six chapters. McDonagh discusses the emergence of the author figure as the owner of a dramatic work by analysis of authorship and ownership of plays from the Elizabethan period up to the early twentieth century.
IP and Legal Filings
JANUARY 22, 2024
The exceptions present under section 52 are very limited as compared to international copyright statutes which restricts the access to information contained in protected works. First, economic rights, which allow the owner of rights to derive a financial reward from the use of his works by others.
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