2023 Copyright Copyright Law Public Domain 
Copyright Lately
DECEMBER 4, 2023
Oh Mickey, you’re so fine—but you’re not alone: An avalanche of copyrighted works will enter the public domain in the United States on January 1, 2024. public domain on January 1, 2024—and that’s a shame. copyright lapse for A. copyright terms. copyright terms.
The IPKat
JANUARY 30, 2024
On 1st January every year we celebrate the array of works entering the public domain, as their copyright term expires. This year, entering the public domain [generally speaking] are copyright protected works created by people who died in 1953, for countries with a copyright term of life plus 70 years (e.g.,
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IPilogue
MARCH 27, 2023
Every year on January 1, works protected under copyright law enter into the public domain due to their copyright protection expiring. Thus, as a new year approaches, those in the field of copyright look to see which works will expire at the end of the year. As a general rule in the U.S.,
IPilogue
MARCH 27, 2023
Every year on January 1, works protected under copyright law enter into the public domain due to their copyright protection expiring. Thus, as a new year approaches, those in the field of copyright look to see which works will expire at the end of the year. As a general rule in the U.S.,
The IP Law Blog
SEPTEMBER 28, 2023
21, 2023) (Hector Gonzalez), the District Court for the Eastern District of New York granted the plaintiff’s motion for summary judgment regarding the validity of its copyright. Under the Copyright Act of 1976, a copyright registration creates a rebuttable presumption that the copyright is valid. In JBrick, LLC v.
IP and Legal Filings
JANUARY 16, 2024
The libraries use this concept of CDL justify the mass digitalization of copyright works digital versions of their legally obtained items and lending them to patrons in a controlled manner. This rule covers lending digital copies of copyrighted works, while works in the public domain can be freely digitized.
Kluwer Copyright Blog
OCTOBER 17, 2023
Apart from revolutionizing the creative markets, the ability to obtain new artworks with an increasing marginalization of human contribution has inevitably tested the fitness of copyright legislations all over the world to deal with the so-called “artificial intelligence” (‘AI’). 11 and 13 EUCFR , 19 UDHR , 27.1 UDHR, and 15.1
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