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Copyright Ownership: Exploring Employer-Employee Relationship

IP and Legal Filings

This is quite the picture of how the Indian copyright laws are treating the employees who try to become such exceptional creators. the ownership disputes in India and the U.K. Unlike the U.S.A., are heavily subjected to judicial interpretations.

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Artifical Intelligence Vis-À-Vis Ownership and Authorship Right under Copyright Law

IP and Legal Filings

In addition, concerns have been raised regarding the authenticity and possession of the artwork, the involvement of the artist, and the authorship and ownership of its copyright in relation to the integration of artificial intelligence into the artistic process. Firstly, the work shall be given credit for being produced by a human.

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AI And Copyright: Tracking The Ownership Issues

IP Law 360

The rise of generative AI has created copyright and ownership challenges in creative industries, but contractual agreements, intellectual property law and AI-specific regulations can be used to address these issues, says Kimiya Shams at Devialet.

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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

IP Intelligence

Although the Copyright Office’s official guidance on whether you can be the author of AI output is a solid “maybe? Consistent with the Copyright Office’s guidance in the Compendium, Third Edition, there is often “creative input or intervention from a human author” at multiple steps in the process. This creates a major problem.

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Thaler, Copyright Office Fight Over Human-Authorship Requirement for AI-Created Artwork Continues

IP Watchdog

Copyright Office’s refusal to register copyright to an artwork generated by Thaler’s Creativity Machine. Copyright Act preventing Thaler from claiming copyright in the AI-generated work, and that standard principles of property law enables ownership of the work to vest in Thaler, who created the AI system at issue in the case.

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Oriakhogba’s work is a timely reflection on approaches to navigate the complex terrain of using copyright laws to address issues of ownership, control and management inherent in or arising from repatriated (and/or "should-be-repatriated") cultural heritage materials.

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Copyright, Pride, and Progress: Navigating Ownership, Representation, and Cultural Rights

Copyright Alliance

Commemorating the Stonewall Uprising of June 28, 1969, Pride Month serves as […] The post Copyright, Pride, and Progress: Navigating Ownership, Representation, and Cultural Rights appeared first on Copyright Alliance.