The IPKat
JANUARY 24, 2023
Here's what Kateryna and Liubov write : New Ukrainian Law on Copyright and Related Rights by Kateryna Militsyna and Liubov Maidanyk Last year, the Ukrainian copyright reform got on its fast track. In July the Ukrainian parliament approved one of the legislative proposals on copyright and related rights as a basis.
Kluwer Copyright Blog
OCTOBER 3, 2022
Between 22 July 2022 and 22 September 2022, the European Commission ran a public consultation seeking views on the remuneration of non-EU music performers and record producers with respect to the music played in the EU. WIPO, Agreement on diplomatic conference on Design Law Treaty.
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LexBlog IP
MAY 18, 2022
The protection of moral rights, including the rights of publication, authorship, alteration, and integrity, is perpetual. 2D designs and texts on a product or packaging may be protected as written, pictorial, photographic, and graphic works, or even works of fine art, depending on the nature of the design elements.
The IPKat
DECEMBER 10, 2023
Copyright Anastasiia Kyrylenko discussed the recent interpretation of Article 4 of Directive 2004/48/EC by the CJEU in relation to possibility for collective management organisations to bring, in their own name, actions for copyright infringement on behalf of the right holders.
The IPKat
MARCH 18, 2023
As someone who has also authored a practical guide ( Copyright in the Music Industry ) that is aimed at a novice audience, this Kat must stress the intended audience of the book and, as such, the lack of references and appendices of legal texts. The second part focuses on protecting products through patents and industrial design.
The IPKat
JANUARY 21, 2022
This is a review of Performer's Rights by the Rt Hon Sir Richard Arnold, Judge of the Court of Appeal of England and Wales. The book covers the rights of performers, particularly the rights conferred under Part II of the Copyright, Designs and Patents Act 1988 (as amended).
The IPKat
MAY 22, 2023
This post is brought to you by Oprah Nwobike , who is a lawyer and doctoral researcher at Brunel University London focusing on copyright and artificial intelligence in the music industry, under the supervision of IPKat's Dr Hayleigh Bosher. AI companies take music created by humans and generate ‘new’ AI music based on what has been trained.
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