The IPKat
JANUARY 24, 2023
Here's what Kateryna and Liubov write : New Ukrainian Law on Copyright and Related Rights by Kateryna Militsyna and Liubov Maidanyk Last year, the Ukrainian copyright reform got on its fast track. In July the Ukrainian parliament approved one of the legislative proposals on copyright and related rights as a basis.
Kluwer Copyright Blog
NOVEMBER 15, 2022
If question 1 is answered in the negative: Is the concept of ‘communication to the public’ to be interpreted as meaning that separate permission from the holder of the rights, including in respect of high definition content, is required, although the same works are already made available in poorer standard definition quality via free TV?
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Kluwer Copyright Blog
JUNE 18, 2021
If we consider the technical definition of “beneficiaries” (any performer, national or habitual resident of a contracting party, whose performance is broadcast in another contracting state), the impact of the Treaty across the world is clear. Audiovisual globalisation.
Kluwer Copyright Blog
NOVEMBER 17, 2021
This first part covers the definition of a work, authorship and moral rights. Parts 2 to 4 will address exploitation rights, related rights, exceptions and limitations, copyright contract law and enforcement. Definition of a work (Sections 2-5 UrhG).
Kluwer Copyright Blog
APRIL 18, 2024
There is a significant push at this week’s meetings of the World Intellectual Property Organization (WIPO) Standing Committee on Copyright and Related Rights to approve a Diplomatic Conference on a Broadcasting Organizations Treaty that is not strictly limited to combating unlawful interception of traditional broadcast signals.
IPilogue
JULY 8, 2021
On 19 April 2019, the European Parliament and Council adopted the Directive on copyright and related rights in the Digital Single Market. Although the given definitions restrict the Directive ’s scope, its proposed content monitoring obligations are stricter than those currently in place.
Kluwer Copyright Blog
DECEMBER 20, 2022
Nevertheless, the Berne Convention does not explicitly state that only original photographic works can be protected, nor does it contain any precise statutory definition of “originality”. According to the German courts, to qualify as Lichtbildwerke photographs need to be characterised by individuality and a minimum level of creativity.
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