article thumbnail

The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

IP Intelligence

Consistent with the Copyright Office’s guidance in the Compendium, Third Edition, there is often “creative input or intervention from a human author” at multiple steps in the process. Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e.,

article thumbnail

The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

LexBlog IP

Consistent with the Copyright Office’s guidance in the Compendium, Third Edition, there is often “creative input or intervention from a human author” at multiple steps in the process. Combine that “mastermind/dominant” author doctrine with the run of cases discussing ownership of software outputs (i.e.,

Insiders

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Trending Sources

article thumbnail

NFTs: promisingly transformational, yet fraught with IP pitfalls – Part I

Kluwer Copyright Blog

Image by Tumisu via Pixabay Non-fungible tokens (NFTs) are altering society’s notion of digital ‘ownership’ and redefining the common perspective on distribution of original works to consumers by introducing scarcity to the digital realm.

article thumbnail

Foreign Works, US Rights: The 7th Circle of Copyright Hell?

Copyright Lately

version of the book credited Scott-Giles for the maps and diagrams he specially drew for the edition, but didn’t contain a copyright notice. The 1949 English-language publication of Dante’s “Inferno” was first published in the U.K. on November 16, 1949. without a copyright notice. It argues that when the U.S.

article thumbnail

Book review: Research Handbook on Intellectual Property and Cultural Heritage

The IPKat

This is a review of Research Handbook on Intellectual Property and Cultural Heritage , edited by Irini Stamatoudi , Professor of Intellectual Property Law and Cultural Heritage Law at the University of Nicosia. The edited collection does this through 29 chapters from an impressive list of contributors: Leila A.

article thumbnail

Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

The creation of AR experiences may involve acts of reproduction and communication to the public that have potential copyright implications. AR can concern two categories of cultural goods – those that are in the public domain and those embedding a copyrighted work of art. . (i) i) Public domain works.

Copyright 103
article thumbnail

[Book Review] 25 things you should know about artificial intelligence, art and copyright

The IPKat

Now in its second edition, the book offers a primer on copyright-related challenges that artificial intelligence (AI) presents. Instead, in the opinion of the author, AI-generated works should immediately enter into public domain. This might slow down the development of this market in Europe.

Art 52