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Copyright Ownership in State Board Textbooks: Impediments to Accessibility

SpicyIP

In this post, I look at the question of the government’s copyright ownership in State Board textbooks, and its implications on access to knowledge and education. Smartphone ownership levels among rural households with school going children have doubled to 62% in 2020 from 36% in 2018. Image from here.

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Apple's "buy" button that doesn't result in ownership may mislead consumers

43(B)log

20, 2021) iTunes allows consumers to “Rent” or “Buy” movies, television shows, music and other content. Apple, Inc., 2021 WL 1549667, No. 2:20-cv-01628-JAM-AC (E.D. Renting is less expensive; buying leads the content to appear in a consumer’s “Purchased” folder.

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3 Count: Hey Mickey!

Plagiarism Today

claimed that they held 50% ownership in the work, given to them by a producer named Greg Mathieson who worked on the album. He had actually had the lawsuit dismissed once before in November after he failed to show that that anyone involved in either the comic of television series had access to his work.

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Disney Pulls TV Channels From Vietnam, Govt. “Concerned” Piracy Will Run Riot

TorrentFreak

Other channels under the same ownership including Fox Movies, Fox Sports, Disney Channel and Disney Junior, were previously withdrawn, the paper reported. He says that film companies and other entertainment content businesses, Disney included, believe that traditional television has run its course and video-on-demand services are the future.

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The B-Side Blog – Chucky: The Doll of Fear and the Expanding IP Universe

Nelligan Law

They have faced disputes related to trademark ownership and copyright protection for unique elements. One of these such legal complexities is the “Chucky” TV Series and the ownership of the original Chucky Brand. In the world of entertainment, characters and intellectual properties often involve complex legal agreements.

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Bill C-11 Estimates Revealed: Internal Government Documents Show No Impact on Net Employment, Admit Streamers Already Invest Millions in “Unofficial Cancon”

Michael Geist

First, the government’s economic modelling for television production reaches the following conclusion: Regardless of the status of Bill C-11, FLS [foreign local service production] in Canada is expected to surge to new highs by 2025, led in part by global content boom fuelled by a growing field of streaming platforms.

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Ready, Fire, Aim: Eleven Thoughts on the CRTC’s Bill C-11 Consultations

Michael Geist

The three types of contributions are described as follows: The first category of contributions, referred to as a base requirement, could require broadcasting undertakings or ownership groups to make a financial contribution to specified funds that support Canadian artists or programming and the policy objectives outlined above.