Kluwer Copyright Blog
JUNE 16, 2021
Marshmello, an American electronic music producer and DJ, won the case as Judge Philip S. Gutierrez held that Arty had contractually given up ownership of the rights over remix composition, and therefore had no grounds to sue. Background and decision. From remixes to remasters.
IP and Legal Filings
APRIL 1, 2024
This is quite the picture of how the Indian copyright laws are treating the employees who try to become such exceptional creators. the ownership disputes in India and the U.K. The Indian judiciary has to restructure the scope and extent of the Copyright laws in India. Unlike the U.S.A.,
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IPilogue
JUNE 14, 2022
Swift, in being denied an opportunity to bid for her masters, announced in late 2020 that she would re-record her entire pre-2019 catalogue in order to regain control of her music and limit the profitability of Ithaca’s asset. All music can be subdivided into three categories of copyright: lyrical, compositional, and sound.
The IP Law Blog
AUGUST 26, 2021
Calling it a “ball of confusion,” the Ninth Circuit recently considered a case involving the music of the Turtles, SiriusXM Satellite Radio, and whether royalties are owed under California copyright law for music dating prior to 1972. In a lawsuit that was originally filed in 2013 titled, Flo & Eddie, Inc.
Intellectual Property Brief
APRIL 25, 2022
Copyright law allows for the free form creation of music while implementing a system of checks and balances to protect artists from other artists. The question remains, who’s protecting artists from the record labels?
The IPKat
NOVEMBER 22, 2021
this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyright law and historical and contemporary theatre.
Kluwer Copyright Blog
APRIL 22, 2022
The creation and development of copyright law are closely connected to technological and associated business transformations (see, e.g. here ). Yet, the very same automation poses challenges for the application of copyright law, increasing legal uncertainty, as demonstrated in this report vis-à-vis AI music outputs.
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