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Public Domain Day 2024 is Coming: Here’s What to Know

Copyright Lately

Oh Mickey, you’re so fine—but you’re not alone: An avalanche of copyrighted works will enter the public domain in the United States on January 1, 2024. public domain on January 1, 2024—and that’s a shame. public domain for failure to comply with the various formalities (e.g., copyright terms.

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Public Domain Day 2023 is Coming: Here’s What to Know

Copyright Lately

A new crop of copyrighted works (including rights in a certain famous British detective) will enter the public domain in the United States on January 1, 2023. public domain on January 1, 2023. Happy Public Domain Day 2023. On January 1, 2023, Putting Pants on Philip enters the public domain.

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Michelangelo’s David and cultural heritage images. The Italian pseudo-intellectual property and the end of public domain

Kluwer Copyright Blog

For example, according to the Guidelines, a university press has to pay the Public Sector (Ministry of Culture or public museum) for the reproduction, in a book, of images of public cultural property. In particular, under EU law the Italian public cultural property seems to be inconsistent with art.

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Canada Extends Copyright Term to Life of Author Plus 70 Years, Leaving Many Concerned

IPilogue

According to an interesting study on “ The effect of copyright term length on South African book markets ,” a book entering the public domain generates 26.5 additional editions on average after it enters the public domain. The concerns are loud and clear.

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January 6 Committee Reports Arrive in Bookstores Soon

Velocity of Content

Several US trade book publishers have announced their publication plans for the official report of the United States House Select Committee on the January 6 Attack. Available in November, the editions include from Random House , with an introduction by Rep. These published editions are a big deal,” Albanese explains.

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EUIPO BoA IP Case Law Conference Report #5 : “Copyright in flux: What does the future have in store?”

The IPKat

Surprisingly, for those who read Overlapping Intellectual Property Rights (Edited by Neil Wilkof, Shamnad Basheer, and Irene Calboli), even though Prof. Anastasiia Kyrylenko, our GuestKat, exploring the case of subsequent overlap between trademark and copyright protection and its implications for the public domain.

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Copyright implications of Augmented Reality for cultural goods – Part 1

Kluwer Copyright Blog

As a result, AR may be attractive not only to potential users of the cultural heritage-related services, but also for market operators with commercial interests. However, as mentioned, AR can also be developed by third parties, and in particular by market operators that have no initial connection with bodies managing cultural heritage.

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