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Workflow of the Future: Standards & Sustainability Part III

Velocity of Content

In December 2022, CCC hosted “ Workflow of the Future: Standards & Sustainability ” a webcast where a panel of industry experts discussed sustainability challenges in trying to reduce our impact on the environment and in managing the effects of the changing environment itself. This webcast was supported by the U.S.

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Sunday Surprises

The IPKat

Panel discussions will cover topics such as a comparative overview of the rights of performers, the rights of phonogram producers, the rights of broadcasters and producers of films and audiovisual media, and the rights of database producers and publishers. For a complete list of sessions, topics covered, and registration, click here.

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Saturday Sundries

The IPKat

The event will focus on topics like digital platforms, investment in electronic communications infrastructures, Standard Essential Patents (SEPs) and Artificial Intelligence. The event is free for those attending online. More details and registration are available here. The deadline for submissions is 22 October.

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SpicyIP Weekly Review (December 25- December 31)

SpicyIP

The Court found that while some themes in the film were similar to those in the script, such themes or ideas cannot be protected by copyright and that the standard of ‘substantial copying’ had not been established in the present case. The court rejected the defendant’s argument and relying on Phonographic Performance Limited v.

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Never too late: in case you missed the IPKat last week

The IPKat

2(7) is a matter of EU law or the WIPO Performances and Phonograms Treaty. Kat Friend Roya Ghafele reported on the ‘leaked’ European Commission IP Action plan, which proposed changes including a register of standard and essential patents and a dispute resolution service for FRAND determination.

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Why Spotify Removed So Many Comedy Albums

Plagiarism Today

Note: This will be an extremely brief overview of music licensing, for more details, check out this 2017 article on the topic. Back in 2015, Pandora mentioned in its SEC filings that such works were not currently entitled to royalties based on the composition, but that was a standard industry practice, not necessarily the law.

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60-Year-Old Music Pirate Faces Prison in a Country Part-Run By Pirates

TorrentFreak

“He testified that he was aware that by uploading works without the permission of the copyright owners, he was violating some legal standards, but he did everything mainly because he liked music. Do they even have an opinion on the topic this far into government? But a general principle stands regardless of the topic.

Music 126